License To Kill - The Film Score Orchestra - The Name Is Bond James Bond (CD)

Download License To Kill - The Film Score Orchestra - The Name Is Bond James Bond (CD)

Label: Going For A Song - GFS027 • Format: CD • Country: Europe • Genre: Pop •


عنيك وحشانى - مصطفى قمر - عينيك وحشانى = I Miss Your Eyes (CD, Album), Plyn - The Messerschmitts - Pressburg RocknRoll (CD, Album), Siobhan (8) - Twilight Phone (Cassette), Nusantara - Inneke Kusumawati & Koes Plus, Toppenk Group - Top Hits Koes Plus (Cassette, Album), Lustwandel - Roedelius* - Lustwandel (CD, Album), Jingle Jangle - Unknown Artist - 28 International Top Songs (Vinyl, LP), Via Nocturna (Part 1 And 2) - Therion - Deggial (Cassette, Album), Lazeroceaneye - Secret Shapes - Hypnagogic Folklore (File), Killer (Enduser Remix), As Tears Go By - Marianne Faithfull - As Tears Go By (Vinyl), Forest Floor 4 - KTL - KTL (CD, Album), Piccolo Pensiero - Di Malta* - Onde (CD, Album), Whats The Fuss? - Commitment Crew - Hisingen (Vinyl), Let Me Down / Bright - Pin Ups (2) - Scrabby? (File, Album), Iubirea Noastră - Vasile Șeicaru - Iubirea Noastră (Vinyl, LP, Album)


  1. Mezigrel
    View credits, reviews, tracks and shop for the CD release of The Name Is Bond James Bond on Discogs. Label: Going For A Song - GFS • Format: CD • Country: Europe • Genre: Pop • The Film Score Orchestra - The Name Is Bond James Bond (CD) | Discogs2/5(2).
  2. Kiramar
    It's been unavailable and discontinued in all of the music stores where I've been looking for it. I'm a fan of the James Bond recordings and Licence to Kill was the last one to be released on LP before CD's were introduced. I have all of the Bond music on LP from Dr. No to Licence to Kill and my CD collection was only missing this one/5(50).
  3. Kazik
    Dec 01,  · Giving the character of James Bond a Latin musical motif whenever he appears on the screen in "Licence to Kill" is a mistake. The film dealt with an elusive South American drug lord and his illicit money making empire. James Bond, out for revenge, destroys Sanchez and his /5.
  4. Mukus
    Licence to Kill is a spy film, the sixteenth in the James Bond series produced by Eon Productions, and the second (and last) to star Timothy Dalton in the role of the fictional MI6 agent James story sees Bond being suspended from MI6 as he pursues drug lord Franz Sanchez, who has ordered an attack against Bond's CIA friend Felix Leiter and the murder of Felix's wife during their.
  5. Malale
    Jul 14,  · Directed by John Glen. With Timothy Dalton, Robert Davi, Carey Lowell, Talisa Soto. After capturing a drug lord, Felix Leiter is left for dead and his wife is murdered. James Bond goes rogue and seeks vengeance on those responsible, as he infiltrates an organisation posing as a hitman.
  6. Marr
    GoldenEye: Original Motion Picture Soundtrack from the United Artists film was a soundtrack composed by Éric Serra for the James Bond film of the same name. It was performed by The London Studio Session Orchestra conducted by John Altman. The film's eponymous theme song was sung by Tina Turner and written by U2's Bono and The Edge. The album was released on compact disc and .
  7. Mami
    Performed by the City of Prague Philharmonic Orchestra, conducted by Nic Raine and James Fitzpatrick, this four-CD set collects the 20 James Bond movie themes used since the series first began in with, as well as music from the two "unofficial" releases, CASINO ROYALE and NEVER SAY NEVER AGAIN.
  8. Arazshura
    The world's most visited unofficial James Bond website with daily updates, news & analysis of all things and an extensive encyclopaedia. Get your dose of Ian Fleming's spy from Sean Connery to Daniel Craig with our expert online coverage and a rich, colour print magazine dedicated to spies.
  9. Vudorg
    This four-CD set is a total-immersion experience into the best parts of the scoring for 40 years' worth of James Bond movies, performed by the City of Prague Philharmonic Orchestra under conductor Nic Raine. Produced by James Fitzpatrick and Raymond da Silva, the set strikes a generally very successful compromise between a bolder, more expansive presentation of the music, inherent in a recording by a .